On This Day in Art Rock History

A DAILY CHRONICLE

SAN FRANCISCO · THE PSYCHEDELIC ERA · 1960s

Welcome to On This Day.

This project preserves the history behind iconic posters — the art, the people, and the stories.

What this project is

On This Day is a place to document and share the world surrounding these posters:

Why we’re starting now

We’re beginning with a piece we call “The Seed.”

The next items in this week’s release move forward into 1966 and 1967, including work by Wes Wilson. One example, “It’s Only You,” helps illustrate how many variations were produced.

What you’ll see in the releases

For many posters, we’ll show multiple forms when available:

Sensitive and offensive symbols: addressed upfront

Some historical materials include symbols that are painful or offensive today. We won’t erase that fact, but we will handle it with care and respect.

In the case of “The Seed,” an early version includes a swastika, and a later version removes it. That change suggests a reconsideration, and we’ll present it in that context.

To further ground the period, we’re also including another original work by Wes Wilson — not a concert poster, but a protest piece. It’s jarring, powerful, and historically important.

What this is not

This project isn’t about making money. It’s about capturing knowledge — while it can still be found — and preserving the stories that risk disappearing.

If you’re here, you’re part of that preservation effort. Thank you.

Where We Begin

We start with the Seed.

Every history needs an origin, and this one has a real one. In the summer of 1965, two Charlatans hand-drew an announcement for a residency at a saloon in the Nevada desert. Collectors call it the Seed, because everything that became the psychedelic poster grew from it. It is not the first of many contenders — it is the headwater. So that is where we begin.

View the Seed →